Arturo Toscanini made "Wolfgang Amadeus Mozart : Concerto In B Flat Major for Bassoon, K.191. Allegro" available on March 23, 2011. Since Wolfgang Amadeus Mozart : Concerto In B Flat Major for Bassoon, K.191. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Arturo Toscanini's "I grandi successi" album is number 41 out of 68. In terms of popularity, Wolfgang Amadeus Mozart : Concerto In B Flat Major for Bassoon, K.191. Allegro is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Wolfgang Amadeus Mozart : Concerto In B Flat Major for Bassoon, K.191. Allegro by Arturo Toscanini to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme "Enigma" | BBC Symphony Orchestra, Arturo Toscanini | G Minor | 2 | 6A | 79 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
Symphony No. 93 in D Major, Hob. I:93: IV. Finale. Presto ma non troppo | Joseph Haydn, Danish Chamber Orchestra, Ádám Fischer | A Major | 1 | 11B | 80 BPM | ||
Rhapsody In Blue | Arturo Toscanini | A♭ Minor | 2 | 1A | 97 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Ravel: Le tombeau de Couperin, M. 68a: IV. Rigaudon | Maurice Ravel, Jean Martinon, Orchestre de Paris | C Major | 1 | 8B | 122 BPM | ||
Concerto pour violon No. 1, Op. 35 ; TH 59: I. Allegro moderato—Moderato assai en ré majeur (extrait) | Pyotr Ilyich Tchaikovsky, Isaac Stern, Philadelphia Orchestra, Eugene Ormandy | B Minor | 5 | 10A | 94 BPM | ||
Symphony No. 3 In C Major, Op. 43, "Le Divin Poeme" (The Divine Poem): I. Lento | Moscow Symphony Orchestra, Dmitri Lokalenkov, Alexander Scriabin | D Major | 0 | 10B | 165 BPM | ||
Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Entree | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 3 | 10B | 84 BPM |
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