- BPM
- 172
- Key
- G Major
- Camelot
- 9B
The Carnival Of The Animals, R.125: The Swan / blessing the boats - Camille Saint-Saëns, Lucille Clifton, Bill Murray, Jan Vogler Information
- Acousticness
- 99%
- Danceability
- 15%
- Energy
- 12%
- Instrumentalness
- 50%
- Liveness
- 11%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 12%
- Popularity
- 35%
- Loudness
- -19.563 dB
Summary
"The Carnival Of The Animals, R.125: The Swan / blessing the boats" by Camille Saint-Saëns, Lucille Clifton, Bill Murray, Jan Vogler was released on September 29, 2017. The duration of The Carnival Of The Animals, R.125: The Swan / blessing the boats is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The Carnival Of The Animals, R.125: The Swan / blessing the boats's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "New Worlds". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of The Carnival Of The Animals, R.125: The Swan / blessing the boats is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Carnival Of The Animals, R.125: The Swan / blessing the boats BPM
With The Carnival Of The Animals, R.125: The Swan / blessing the boats by Camille Saint-Saëns, Lucille Clifton, Bill Murray, Jan Vogler having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The Carnival Of The Animals, R.125: The Swan / blessing the boats Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suddenly I Felt Joy | Gretchen Yanover | C Major | 2 | 8B | 115 BPM | |
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 | Das Rheingold, WWV 86A, Scene 1: Prelude | Richard Wagner, Hallé, Sir Mark Elder | E♭ Major | 0 | 5B | 73 BPM | |
 | Evening of Roses (Arr. Hodge for Cello, Clarinet & Ensemble) | Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | B♭ Major | 2 | 6B | 103 BPM | |
 | Piano Sonata No. 14b in C Minor, K. 457: II. Adagio | Wolfgang Amadeus Mozart, Emil Gilels | A Minor | 1 | 8A | 120 BPM | |
 | Shore | Fredrik Sjölin, Danish String Quartet | G Minor | 1 | 6A | 139 BPM | |
 | The Yellow Cake Review, Farewell to Stromness (Excerpt) | Peter Maxwell Davies, Los Angeles Guitar Quartet | D Major | 0 | 10B | 127 BPM | |
 | Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | |
 | String Quartet, Op. 11: II. Molto adagio | Samuel Barber, Ying Quartet | B♭ Minor | 0 | 3A | 90 BPM | |
 | Samson et Dalila, Op. 47: Act I: Arretez, o mes freres! | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | C Minor | 2 | 5A | 126 BPM |
- ISRC
- USUM71707714
- Label
- L-M Records/RCA Records
Section: 0.6813316345214844
End: 0.6849920749664307