Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra made "The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation III: Clarinets (Moderato)" available on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation III: Clarinets (Moderato) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 22 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Based on our statistics, The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation III: Clarinets (Moderato)'s popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation III: Clarinets (Moderato) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Moderato: First Decoy Game | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | F Minor | 0 | 4A | 74 BPM | ||
War Requiem, Op. 66: xv. Offertorium - Domine Jesu Christe | Benjamin Britten, Gianandrea Noseda, Choir of Eltham College, London Symphony Orchestra | A♭ Major | 0 | 4B | 105 BPM | ||
Romeo and Juliet, Op. 64 - Act 2: The Nurse - The Nurse and Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 139 BPM | ||
Joyful heart | Haruna Willow | A♭ Minor | 5 | 1A | 134 BPM | ||
組曲 展覧会の絵, 7. リモージュの市場 | Modest Mussorgsky, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | E♭ Major | 2 | 5B | 106 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13e, Dance of the Swans. Pas d'action | Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra | D Minor | 8 | 7A | 122 BPM | ||
New beginning | Haruna Willow | G Major | 4 | 9B | 77 BPM | ||
Enchanted Forest | Whimsical Serenade | E Minor | 0 | 9A | 148 BPM |
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