"3 Gymnopédies: No. 1 in D Major" by Erik Satie, Leonard Slatkin, St. Louis Symphony was released on 1981. The duration of 3 Gymnopédies: No. 1 in D Major is about 3 minutes long, at 3:19. Based on our data, "3 Gymnopédies: No. 1 in D Major" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Fantasia on a Theme by Thomas Tallis - Barber: Adagio for Strings - Grainger: Irish Tune from County Derry - Satie: Gymnopédies Nos. 1 & 3 - Fauré: Pavane by Leonard Slatkin, St. Louis Symphony, Erik Satie, Gabriel Fauré, Percy Grainger, Ralph Vaughan Williams. The song's track number on the album is #2 out of 6 tracks. 3 Gymnopédies: No. 1 in D Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 3 Gymnopédies: No. 1 in D Major by Erik Satie, Leonard Slatkin, St. Louis Symphony has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 3 Gymnopédies: No. 1 in D Major being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato) | François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | C Minor | 2 | 5A | 95 BPM | ||
Fantasia on a Theme by Thomas Tallis: I. Largo sostenuto | Ralph Vaughan Williams, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | G Minor | 0 | 6A | 88 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM | ||
Butterflying | Elena Kats-Chernin, Tamara Anna Cislowska | D Minor | 0 | 7A | 93 BPM | ||
Spiegel im Spiegel | Arvo Pärt, Anne Akiko Meyers, Kristjan Järvi, Philharmonia Orchestra | F Major | 1 | 7B | 152 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Menuetto. Allegro con moto | Antonín Dvořák, Prague Philharmonia, Jakub Hrůša | A Major | 1 | 11B | 166 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Cristina Ortiz, Bournemouth Symphony Orchestra, Paavo Berglund | G Major | 2 | 9B | 84 BPM |
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