"Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version)" by Gabriel Fauré, Paavo Järvi, Orchestre de Paris was released on September 5, 2011. With this song being about 5 minutes long, at 4:53, "Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version)" by Gabriel Fauré, Paavo Järvi, Orchestre de Paris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 11 in Fauré: Requiem, Cantique de Jean Racine by Gabriel Fauré, Philippe Jaroussky, Matthias Goerne, Orchestre de Paris, Paavo Järvi. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) by Gabriel Fauré, Paavo Järvi, Orchestre de Paris is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Schwanengesang, D. 957: No. 4, Serenade - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | D Major | 0 | 10B | 67 BPM | ||
Fauré: Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Jean Racine, Traditional, Sølvguttene, Fredrik Otterstad | D♭ Major | 0 | 3B | 91 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Pärt: Cantus in memory of Benjamin Britten | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 114 BPM | ||
O cessate di piagarmi (from Il Pompeo) | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 68 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante | Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B♭ Major | 2 | 6B | 88 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM |
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