"Puccini : Turandot : Act 3 "Nessun dorma" [Calaf]" by Plácido Domingo was released on December 18, 2007. The duration of Puccini : Turandot : Act 3 "Nessun dorma" [Calaf] is about 3 minutes long, at 3:25. Based on our data, "Puccini : Turandot : Act 3 "Nessun dorma" [Calaf]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Plácido Domingo - Artist Portrait 2007". In this album, this song's track order is #16. Puccini : Turandot : Act 3 "Nessun dorma" [Calaf] is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini : Turandot : Act 3 "Nessun dorma" [Calaf] by Plácido Domingo having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre / Erster Aufzug: Szene 1: "Wes Herd dies auch, hier muß ich rasten" | Richard Wagner, Wolfgang Windgassen, Maria Müller, Württembergisches Staatsorchester Stuttgart, Ferdinand Leitner | F Major | 0 | 7B | 136 BPM | ||
Das Rheingold: Scene 1: Weia! Waga! Woge, du Welle! (Woglinde) | Richard Wagner, Hans Hotter, Alfons Herwig, Josef Traxel, Ludwig Suthaus, Georgine Von Milinkovic, Gré Brouwenstijn, Gustav Neidlinger, Paul Kuen, Studio Chorus, Studio Orchestra, Hans Knappertsbusch | A♭ Major | 2 | 4B | 134 BPM | ||
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
Beethoven: Egmont, Op. 84: Overture | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 3 | 4B | 106 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Beethoven: Fidelio, Op. 72: Overture | Ludwig van Beethoven, Sir Simon Rattle, Berliner Philharmoniker | E Major | 1 | 12B | 119 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM |
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