"Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar)" by Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens was released on September 15, 2017. The duration of Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) is about 3 minutes long, at 3:21. Based on our data, "Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Offenbach: Les Contes d'Hoffmann / Act 3, Barcarolle (Arr. For Violin, Cello, Piano And String Ensemble By Aleksandar Sedlar) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) by Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Boulanger / Orch. Ducros: Lux aeterna | Nadia Boulanger, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra | F Major | 1 | 7B | 70 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Elgar: Salut d' Amour, Op. 12 | Edward Elgar, Min Kym | E Major | 1 | 12B | 86 BPM | ||
Après un rêve (Arr. by Söllscher) | Gabriel Fauré, Jian Wang, Göran Söllscher | F Minor | 1 | 4A | 100 BPM | ||
Tango Jalousie | Jacob Gade, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 78 BPM | ||
Suite No. 2 for Jazz Orchestra: VII. Waltz (Arr. for Piano Quintet) | Dmitri Shostakovich, Philharmonic Five | C Minor | 2 | 5A | 107 BPM |
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