Kapitel 17 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag
David Allen, Jürgen Kalwa
Ich schaff das! (Ungekürzt)
3:11 2011
BPM
102
Key
B Minor
Camelot
10A

Embed

Share Link

Kapitel 17 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag - David Allen, Jürgen Kalwa Information

Acousticness
31%
Danceability
68%
Energy
26%
Instrumentalness
0%
Liveness
16%
Loudness
62%
Speechiness
92%
Valence
61%
Popularity
Loudness
-22.912 dB

Summary

David Allen, Jürgen Kalwa made "Kapitel 17 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" available on 2011. The duration of Kapitel 17 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:11. Based on our data, "Kapitel 17 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 17 out of 194. In terms of popularity, Kapitel 17 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Kapitel 17 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag BPM

We consider the tempo marking of Kapitel 17 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Kapitel 17 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bellini: La sonnambula, Act 1: Bellini: La sonnambula, Act 1: "Viva! Viva Amina!...tutto è gioia, tutto è festa" (Chorus, Lisa, Alessio)Vincenzo Bellini, Fiorenza Cossotto, Coro Del Teatro Alla Scala Di Milano, Giuseppe Morresi, Orchestra Del Teatro Alla Scala, Milano, Antonino VottoB♭ Major16B91 BPM
The Gondoliers / Act 1: 1. List and Learn by Arthur Sullivan, Glynis Prendergast, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston NashThe Gondoliers / Act 1: 1. List and LearnArthur Sullivan, Glynis Prendergast, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston NashD Major210B86 BPM
Down To The Wire by David AllenDown To The WireDavid AllenG Major69B120 BPM
Il barbiere di Siviglia / Act 1: No.1 Introduzione: Il barbiere di Siviglia / Act 1: No.1 Introduzione: "Piano, pianissimo"Gioachino Rossini, Giorgio Giorgetti, Nicola Monti, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale ItalianaG Major19B104 BPM
Les Contes d'Hoffmann / Act 1: Le conseiller Lindorf, morbleu! by Jacques Offenbach, Andreas Schmidt, Robert Gambill, Orchestre National De France, Seiji OzawaLes Contes d'Hoffmann / Act 1: Le conseiller Lindorf, morbleu!Jacques Offenbach, Andreas Schmidt, Robert Gambill, Orchestre National De France, Seiji OzawaB♭ Major16B107 BPM
Il barbiere di Siviglia / Act 1: Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!"Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale ItalianaC Major68B103 BPM
Las Golondrinas: Las Golondrinas: "Canción de Lina"Coro del Gran Teatro Lírico de Bacelona, Fidela CampiñaE♭ Major25B129 BPM
Donizetti: Lucia di Lammermoor, Act 1: Donizetti: Lucia di Lammermoor, Act 1: "Verrano a te sull'aura i miei sospiri ardenti" (Lucia, Edgardo)Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio SerafinD Major110B169 BPM
La Traviata, Act I: Dellínvito trascorsa è già l'ora by Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor DresdenLa Traviata, Act I: Dellínvito trascorsa è già l'oraGiuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor DresdenA Major211B134 BPM
Donizetti: Lucia di Lammermoor, Act 1: Donizetti: Lucia di Lammermoor, Act 1: "Qui di sposa eterna fede...Ah, soltanto il nostro foco" (Edgardo, Lucia)Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio SerafinD Major110B169 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6484065055847168

End: 0.6532471179962158