- BPM
- 82
- Key
- A Major
- Camelot
- 11B
Tritsch Tratsch Polka Op 214 (Remast) - Herbert von Karajan Information
- Acousticness
- 93%
- Danceability
- 62%
- Energy
- 27%
- Instrumentalness
- 94%
- Liveness
- 19%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 79%
- Popularity
- 18%
- Loudness
- -20.062 dB
Summary
Herbert von Karajan made "Tritsch Tratsch Polka Op 214 (Remast)" available on March 3, 2003. The duration of Tritsch Tratsch Polka Op 214 (Remast) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Tritsch Tratsch Polka Op 214 (Remast)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 20 in Bal A Vienne by Herbert von Karajan. Tritsch Tratsch Polka Op 214 (Remast) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Tritsch Tratsch Polka Op 214 (Remast) BPM
The tempo marking of Tritsch Tratsch Polka Op 214 (Remast) by Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Tritsch Tratsch Polka Op 214 (Remast) Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | |
 | Symphony No.6 In F, Op.68 -"Pastoral": 2. Szene am Bach: (Andante molto mosso) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 82 BPM | |
 | Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Allegro | Antonio Vivaldi, Anne-Sophie Mutter, Herbert von Karajan, Wiener Philharmoniker | F Minor | 2 | 4A | 173 BPM | |
 | Ein deutsches Requiem, Op. 45: 2. Chor: "Denn alles Fleisch, es ist wie Gras" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 0 | 6B | 88 BPM | |
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | |
 | Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | |
 | Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) [Live] | Gaetano Donizetti, Maria Callas, Luisa Villa, Herbert von Karajan, RIAS Sinfonie-Orchester Berlin | F Major | 2 | 7B | 83 BPM | |
 | Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | |
 | Suite No. 3 in D, BWV 1068: 2. Air | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 173 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7096893787384033
End: 0.714174747467041