Khovanshchina: Introduction (Arr. N. Rimsky-Korsakov for Orchestra)
Modest Mussorgsky, Tonkünstler-Orchester, Jun Markl
Mussorgsky: Bilder einer Ausstellung
5:25 December 3, 2021
BPM
109
Key
D Major
Camelot
10B

Embed

Share Link

Khovanshchina: Introduction (Arr. N. Rimsky-Korsakov for Orchestra) - Modest Mussorgsky, Tonkünstler-Orchester, Jun Markl Information

Acousticness
81%
Danceability
29%
Energy
17%
Instrumentalness
90%
Liveness
21%
Loudness
68%
Speechiness
4%
Valence
4%
Popularity
Loudness
-19.06 dB

Summary

"Khovanshchina: Introduction (Arr. N. Rimsky-Korsakov for Orchestra)" by Modest Mussorgsky, Tonkünstler-Orchester, Jun Markl was released on December 3, 2021. With this song being about 5 minutes long, at 5:25, "Khovanshchina: Introduction (Arr. N. Rimsky-Korsakov for Orchestra)" by Modest Mussorgsky, Tonkünstler-Orchester, Jun Markl is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Modest Mussorgsky, Tonkünstler-Orchester, Jun Markl's "Mussorgsky: Bilder einer Ausstellung" album is number 15 out of 16. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Khovanshchina: Introduction (Arr. N. Rimsky-Korsakov for Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Khovanshchina: Introduction (Arr. N. Rimsky-Korsakov for Orchestra) BPM

We consider the tempo marking of Khovanshchina: Introduction (Arr. N. Rimsky-Korsakov for Orchestra) by Modest Mussorgsky, Tonkünstler-Orchester, Jun Markl to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Khovanshchina: Introduction (Arr. N. Rimsky-Korsakov for Orchestra) Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino by Alexander Borodin, Leonard Bernstein, New York PhilharmonicPrince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. AndantinoAlexander Borodin, Leonard Bernstein, New York PhilharmonicA Major111B78 BPM
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight": 2. AllegrettoLudwig van Beethoven, Daniel BarenboimD♭ Major03B68 BPM
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio moltoAntonio Vivaldi, Itzhak Perlman, Israel Philharmonic OrchestraD Major010B97 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'AlcalaGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Minor04A60 BPM
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 by Franz Schubert, Evgeny KissinAuf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2Franz Schubert, Evgeny KissinE♭ Major05B71 BPM
Symphony No. 1, Op. 25 in D Symphony No. 1, Op. 25 in D "Classical": Allegro con brioSergei Prokofiev, Yuri TemirkanovE Minor09A99 BPM
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered by Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony OrchestraPiano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - RemasteredEdvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony OrchestraF Major17B119 BPM
Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] by Gustav Mahler, Wiener Philharmoniker, Pierre BoulezSymphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1]Gustav Mahler, Wiener Philharmoniker, Pierre BoulezD♭ Minor112A86 BPM
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) by Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David ZinmanViolin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David ZinmanE♭ Major15B170 BPM
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbatHector Berlioz, London Symphony Orchestra, Sir Colin DavisC Minor15A60 BPM
ISRC
ATEF82111015
Label
L-M Records/RCA Records

Section: 0.7775115966796875

End: 0.7813661098480225