"Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1a, The Representation of Chaos" by Joseph Haydn, City Of Birmingham Symphony Orchestra, Sir Simon Rattle was released on March 11, 1991. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1a, The Representation of Chaos is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The track order of this song in Sir Simon Rattle's "Haydn: The Creation" album is number 1 out of 38. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1a, The Representation of Chaos's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1a, The Representation of Chaos by Joseph Haydn, City Of Birmingham Symphony Orchestra, Sir Simon Rattle to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intermezzo, Op.72, TrV 246: Symphonic Interlude: Träumerei am Kamin | Richard Strauss, Wiener Philharmoniker, André Previn | A♭ Major | 2 | 4B | 84 BPM | ||
6 Violin Sonatas, Op. 10b No. 4 in E-Flat Major, J. 102: II. Rondo: Vivace | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | E♭ Major | 1 | 5B | 112 BPM | ||
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 1 | 8A | 144 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Bizet: Carmen, WD 31: Prélude | Georges Bizet, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 3 | 7A | 133 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 112 BPM | ||
Symphony No. 104 in D Major, Hob. I:104 "London": II. Andante | Joseph Haydn, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 1 | 8B | 147 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": III. Menuetto. Allegro molto - Trio | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 142 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 9, Ballet of the Unhatched Chicks | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F♯ Major | 0 | 2B | 179 BPM | ||
Piano Trio in F, H.XV No.37: 1. Adagio | Franz Joseph Haydn, Beaux Arts Trio | F Major | 1 | 7B | 83 BPM |
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