"Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. The duration of Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra; Till Eulenspiegel; Don Juan; Salome's Dance Of The Seven Veils". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Pictures at an Exhibition: Gnomus | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Don Quixote, Op. 35, TrV 184: I. Introduktion (Mäßiges Zeitmaß) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 129 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 2. Largo | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 86 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
Verklärte Nacht, Op.4: 1. Grave (Arr. For String Orchestra By Schoenberg - 1943 Revised Version) | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 89 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM |
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