Don Quixote
Ludwig Minkus, Orchestra of the Royal Opera House, Covent Garden, Barry Wordsworth
Jewels of Russian Ballet
1:07 October 27, 2014
BPM
128
Key
E♭ Major
Camelot
5B

Embed

Share Link

Don Quixote - Ludwig Minkus, Orchestra of the Royal Opera House, Covent Garden, Barry Wordsworth Information

Acousticness
88%
Danceability
38%
Energy
9%
Instrumentalness
33%
Liveness
19%
Loudness
60%
Speechiness
4%
Valence
48%
Popularity
Loudness
-24.027 dB

Summary

Ludwig Minkus, Orchestra of the Royal Opera House, Covent Garden, Barry Wordsworth made "Don Quixote" available on October 27, 2014. With Don Quixote being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Orchestra of the Royal Opera House, Covent Garden, Barry Wordsworth, Mark Ermler's "Jewels of Russian Ballet" album is number 6 out of 22. Based on our statistics, Don Quixote's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Don Quixote BPM

We consider the tempo marking of Don Quixote by Ludwig Minkus, Orchestra of the Royal Opera House, Covent Garden, Barry Wordsworth to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Don Quixote Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Le Corsaire: Act III - Le Corsaire: Act III - "4. Le Jardin Anime: Waltz"Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie HolmesA♭ Major04B142 BPM
Sorcerer's Apprentice by Paul Dukas, Orchestre Symphonique de Montréal, Kent NaganoSorcerer's ApprenticePaul Dukas, Orchestre Symphonique de Montréal, Kent NaganoD♭ Major23B123 BPM
La bayadère, Act II: La bayadère, Act II: "Variazione Solor"Silvano BelfioreD Major410B77 BPM
Brook Green Suite: I. Prelude by Gustav Holst, English Sinfonia, Howard GriffithsBrook Green Suite: I. PreludeGustav Holst, English Sinfonia, Howard GriffithsF Major27B123 BPM
Scheherazade: The Sea & Sinbad's Ship by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: The Sea & Sinbad's ShipNikolai Rimsky-Korsakov, Joakim SvenhedenE Major112B82 BPM
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) by Academy of St. Martin in the FieldsPeer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato)Academy of St. Martin in the FieldsE Minor29A132 BPM
Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) by Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-SchottPassacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello)Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-SchottG Minor16A59 BPM
Le Carnaval des Animaux, R. 125: 7. Aquarium by Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles DutoitLe Carnaval des Animaux, R. 125: 7. AquariumCamille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles DutoitA Minor08A136 BPM
Raymonda, Act III: Variation for male dancer by Alexander Glazunov, English National Ballet Philharmonic, Gavin SutherlandRaymonda, Act III: Variation for male dancerAlexander Glazunov, English National Ballet Philharmonic, Gavin SutherlandA♭ Major04B61 BPM
Matinées musicales, Op. 24: 2. Nocturne by Benjamin Britten, National Philharmonic Orchestra, Richard BonyngeMatinées musicales, Op. 24: 2. NocturneBenjamin Britten, National Philharmonic Orchestra, Richard BonyngeA♭ Major04B77 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.9105403423309326

End: 0.9149584770202637