"A Hymn To The Trinity" by Kenneth Leighton, Michael Leighton Jones, The Choir of Trinity College, Melbourne was released on 2004. The duration of A Hymn To The Trinity is about 3 minutes long, at 3:06. Based on our data, "A Hymn To The Trinity" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "O Blessed Light". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Australia. Based on our statistics, A Hymn To The Trinity's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Hymn To The Trinity by Kenneth Leighton, Michael Leighton Jones, The Choir of Trinity College, Melbourne having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem Novum: VII. Eternal Rest | Mårten Jansson, Anna Dennis, Barnaby Smith, Philharmonia Orchestra | F Major | 3 | 7B | 69 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Psalm 148: O Praise the Lord of Heaven | Plainchant, St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 116 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Beyond the Journey's End | Evan Call | B Minor | 2 | 10A | 110 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Seven Variations for Quartet, Op. 43: III. Lento sostenuto | Kenneth Leighton, Edinburgh Quartet | D Major | 1 | 10B | 163 BPM | ||
Circlesong: Part III, Lover: Over the Wave | Bob Chilcott, Andreea Muţ, Jessica Myers, Houston Chamber Choir, The Treble Choir of Houston, Robert Simpson | C Minor | 0 | 5A | 83 BPM | ||
Solus ad victiman | Kenneth Leighton, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | D Minor | 0 | 7A | 115 BPM | ||
The Mass: Laudamus Te | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM |
Section: 1.1349706649780273
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