"Requiem In D Minor, K. 626: Sequence: IV. Recordare, Jesu Pie" by Slovak Philharmonic, Vladimir Ruso, Jaroslava Horska, Slovak Philharmonic Chorus, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Wolfgang Amadeus Mozart was released on April 15, 1989. Requiem In D Minor, K. 626: Sequence: IV. Recordare, Jesu Pie is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 6 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Requiem In D Minor, K. 626: Sequence: IV. Recordare, Jesu Pie's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K. 626: Sequence: IV. Recordare, Jesu Pie by Slovak Philharmonic, Vladimir Ruso, Jaroslava Horska, Slovak Philharmonic Chorus, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Wolfgang Amadeus Mozart to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: III. Tuba Mirum | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John Relyea | D♭ Minor | 2 | 12A | 97 BPM | ||
Requiem in D minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 90 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): III. Offertorium - Domine Jesu Christe - Quam olim Abrahæ | Wolfgang Amadeus Mozart, RIAS Kammerchor, Maximilian Schmitt, René Jacobs, Johannes Weisser, Freiburger Barockorchester, Sophie Karthäuser, Marie-Claude Chappuis | G Major | 3 | 9B | 105 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 1: Cavatina - Porgi Amor | Donato Di Stefano, Ingrid Kertesi, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 109 BPM | ||
Symphony No. 85 in B-Flat Major, Hob.I:85, "La reine" (The Queen): II. Romanza | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | E♭ Major | 0 | 5B | 116 BPM | ||
L'amant anonyme: Ballet No. 6 | Joseph Bologne Chevalier de Saint-Georges, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 2 | 11B | 128 BPM | ||
Requiem, K. 626: VI. Benedictus | Wolfgang Amadeus Mozart, Sybilla Rubens, Annette Markert, Ian Bostridge, Hanno Müller-Brachmann, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | B♭ Major | 4 | 6B | 120 BPM |
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