"Poetische Stimmungen für Klavier Solo, Op. 85: Die Serenade" by Květa Novotná was released on October 17, 2000. With this song being about 5 minutes long, at 4:56, "Poetische Stimmungen für Klavier Solo, Op. 85: Die Serenade" by Květa Novotná is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 17 in Fuer Elise - Beruehmte Klavierzugaben by Květa Novotná. Poetische Stimmungen für Klavier Solo, Op. 85: Die Serenade is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Poetische Stimmungen für Klavier Solo, Op. 85: Die Serenade by Květa Novotná is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Preludes, Op.23: No.5 in G Minor - Live At The Royal Albert Hall/2012 | Sergei Rachmaninoff, Valentina Lisitsa | G Minor | 2 | 6A | 127 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | A Minor | 0 | 8A | 129 BPM | ||
Sonata, Quasi Una Fantasia (Sonata No. 14) In C-Sharp Minor, Op. 27, No. 2 "Moonlight": I. Adagio Sostenuto | Gerard Willems | D♭ Minor | 0 | 12A | 128 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Tango (arr. Godowsky) | Isaac Albéniz, Moura Lympany | D Major | 0 | 10B | 69 BPM | ||
Claude Debussy: Feuerwerk, Prélude II L 123 Nr. 12 | Květa Novotná | D♭ Major | 1 | 3B | 82 BPM | ||
Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano | George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
Viola Sonata: II. Vivace | Rebecca Clarke, Josef Koďousek, Květa Novotná | F Major | 2 | 7B | 108 BPM | ||
Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM | ||
Haydn: Piano Concerto No. 11 in D Major, Hob. XVIII:11: III. Rondo all'Ungarese (Cadenza by Tharaud) | Franz Joseph Haydn, Alexandre Tharaud, Bernard Labadie, Les Violons du Roy | D Major | 2 | 10B | 83 BPM |
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