Diane Schuur made "Louisiana Sunday Afternoon" available on January 1, 1989. With this song being about 5 minutes long, at 4:53, "Louisiana Sunday Afternoon" by Diane Schuur is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 12 in Collection by Diane Schuur. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Louisiana Sunday Afternoon's popularity is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Louisiana Sunday Afternoon by Diane Schuur is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Always Love You | Euge Groove, Lindsey Webster | D♭ Major | 5 | 3B | 134 BPM | ||
Do You Wanna Dance | Walter Beasley | A♭ Major | 3 | 4B | 78 BPM | ||
Let's Waste Some Time | Marc Jordan, Molly Johnson | F Major | 4 | 7B | 118 BPM | ||
Fever | Jaimee Paul | D Minor | 2 | 7A | 117 BPM | ||
Lonely Afternoon | Shakatak | C Major | 2 | 8B | 132 BPM | ||
Do Nothin' Till You Hear From Me | Quincy Jones, Phil Collins | A Major | 4 | 11B | 82 BPM | ||
Up On The Roof | Peter Cincotti | G Major | 3 | 9B | 130 BPM | ||
The Very Thought of You | Nnenna Freelon | E♭ Major | 1 | 5B | 91 BPM | ||
We'll Make It Last | Doc Powell | G Major | 8 | 9B | 101 BPM | ||
It's A Shame | Paul Jackson, Jr. | F♯ Major | 7 | 2B | 206 BPM |
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