"Battle Hymn of the Republic" by Ambrosian Singers, Eric Hammerstein, Massed Brass Bands, RCA Symphony Orchestra, The John Mccarthy Chorale, William Davies was released on August 6, 2020. Battle Hymn of the Republic appears to be safe for all ages as it is not explicit. There are a total of 22 in the song's album "Relaxing Choirs". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Battle Hymn of the Republic is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Battle Hymn of the Republic by Ambrosian Singers, Eric Hammerstein, Massed Brass Bands, RCA Symphony Orchestra, The John Mccarthy Chorale, William Davies having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serpent in the Circle | Sidney Sager, Ambrosian Singers | B♭ Major | 6 | 6B | 127 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Lucrezia Borgia / Act II: "Il segreto per esser felici" | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado, Coro del Teatro Comunale di Bologna, Paolo Vero | C Major | 1 | 8B | 110 BPM | ||
Porter: Kiss Me, Kate, Act I: Wunderbar | Cole Porter, Dame Josephine Barstow, Thomas Hampson, Kim Criswell, George Dvorsky, Damon Evans, Karla Burns, Ambrosian Singers, John McGlinn, London Sinfonietta, Josephine Barstow | A♭ Major | 3 | 4B | 90 BPM | ||
Cherubini: Requiem in C Minor: Agnus Dei | Luigi Cherubini, Ambrosian Singers/Philharmonia Orchestra/Riccardo Muti, Ambrosian Singers, Riccardo Muti, Philharmonia Orchestra | C Major | 0 | 8B | 99 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | ||
Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
Tannhäuser - Paris version / Act II: "Freudig begrüßen wir die edle Halle" | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli | B Major | 2 | 1B | 122 BPM |
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