Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale made "Adès: Dante, Pt. I "Inferno": II. The Selfish—stung by wasps" available on April 21, 2023. With Adès: Dante, Pt. I "Inferno": II. The Selfish—stung by wasps being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Thomas Adès: Dante". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Adès: Dante, Pt. I "Inferno": II. The Selfish—stung by wasps's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Adès: Dante, Pt. I "Inferno": II. The Selfish—stung by wasps by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Runner: I. Sixteenths | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | B♭ Major | 8 | 6B | 140 BPM | ||
The Firebird Suite, K010, (1945 Version): V. Pas de deux: Firebird and Ivan Tsarevich | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B♭ Major | 2 | 6B | 122 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo (Allegro moderato) - Live | Sergei Prokofiev, Yuja Wang, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | G Minor | 1 | 6A | 96 BPM | ||
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | ||
Three Miniatures for Solo Violin: II. A Canon for Sally | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Trio for Clarinet, Violin & Piano: II. March | Paul Schoenfield, Patricia Kopatchinskaja, Reto Bieri, Polina Leschenko | F Major | 6 | 7B | 109 BPM | ||
Cello Concerto: IV. | Unsuk Chin, Berliner Philharmoniker, Myung-Whun Chung, Alban Gerhardt | B Major | 1 | 1B | 89 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM |
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