Antonio Vivaldi, Catherine Bott, New London Consort, Philip Pickett made "Gloria, R.588 - Ed. Hartwig Bögel: 7. Domine Deus, Agnus Dei" available on October 6, 2020. The duration of Gloria, R.588 - Ed. Hartwig Bögel: 7. Domine Deus, Agnus Dei is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Gloria, R.588 - Ed. Hartwig Bögel: 7. Domine Deus, Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 462 in the song's album "The World of Vivaldi". In this album, this song's track order is #439. Gloria, R.588 - Ed. Hartwig Bögel: 7. Domine Deus, Agnus Dei is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Gloria, R.588 - Ed. Hartwig Bögel: 7. Domine Deus, Agnus Dei by Antonio Vivaldi, Catherine Bott, New London Consort, Philip Pickett having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Violins in F Major, RV 765: III. Allegro | Antonio Vivaldi, Angelo Cicillini, Luca Venturi, Orfeo Ensemble, L', Fabrizio Ammetto | F Major | 2 | 7B | 94 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 73 BPM | ||
Concerto Grosso in A Minor for Two Violins, Op. 3 No. 8: Allegro | David Oistrakh, Igor Oistrakh | A Minor | 2 | 8A | 96 BPM | ||
Cello Concerto in E Minor, RV 409: I. Adagio - Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 2 | 9A | 102 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Sinfonia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 145 BPM | ||
Concerto For 3 Violins In F Major, RV 551: II. Andante | Sonatori de la Gioiosa Marca, Antonio Vivaldi | A Major | 1 | 11B | 112 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Solfeggio, H. 220 | Carl Philipp Emanuel Bach, Rebecca Chambers | C Minor | 2 | 5A | 125 BPM |
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