"Birthday Cantata, BWV 208: Sheep May Safely Graze" by London Conchord Ensemble, Florian Uhlig was released on 2010. With this song being about 5 minutes long, at 4:48, "Birthday Cantata, BWV 208: Sheep May Safely Graze" by London Conchord Ensemble, Florian Uhlig is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 27 in Bach: Suite No. 2 in B Minor, Concerto in A Major, Concerto in C Minor, Concerto in D Minor, Brandenburg Concertos No. 2, 3 & 4 by London Conchord Ensemble, Florian Uhlig. In terms of popularity, Birthday Cantata, BWV 208: Sheep May Safely Graze is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Birthday Cantata, BWV 208: Sheep May Safely Graze by London Conchord Ensemble, Florian Uhlig is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: V. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 0 | 12B | 97 BPM | ||
Cello Concerto in C Major, Hob. VIIb:1: II. Adagio - Cadenza: anon. 18th century | Joseph Haydn, Anonymous, Mischa Maisky, Chamber Orchestra of Europe | F Major | 1 | 7B | 64 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): III. Allemanda: Allegro moderato | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 77 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Die Zauberflöte: Bewahret euch vor Weibertücken | Angèle Dubeau, Alain Marion, Wolfgang Amadeus Mozart | A Minor | 3 | 8A | 168 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: II. Andante | Johann Christian Bach, Miklós Spányi, Concerto Armonico Budapest, Péter Szűts | F♯ Major | 0 | 2B | 100 BPM | ||
Concerto a due cori No. 1 in B flat (1989 Digital Remaster): II. Allegro | George Frideric Handel, Yehudi Menuhin, Menuhin Festival Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
III. Gavotte | Berlin Chamber Orchestra, Helmut Koch | A Major | 3 | 11B | 134 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM |
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