October 1, 1987
Audio information that is featured on Adagio for Strings, Op.11 by Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner.
Find songs that harmonically matches to Adagio for Strings, Op.11 by Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.
|Adagio for strings, Op.11||Samuel Barber, London Symphony Orchestra, Andrew Schenck||B♭ Minor||0||3A||72|
|Symphony No. 3, Op. 36, "Symfonia piesni zalosnych" (Symphony of Sorrowful Songs): II. Lento e largo - Tranquillissimo||Henryk Górecki, Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit||B♭ Minor||0||3A||87|
|Clarinet Concerto in B-Flat Major: Andante sostenuto||Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs||B♭ Minor||0||3A||69|
|Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia)||Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra||B♭ Minor||1||3A||76|
|Adagio For Strings, Op.11||Samuel Barber, London Symphony Orchestra, Kristjan Järvi||B♭ Minor||1||3A||77|
|Symphony No.3 "Symphony Of Sorrowful Songs": 2. Lento e largo||Henryk Górecki, Joanna Koslowska, Warsaw Philharmonic Orchestra, Kazimierz Kord||B♭ Minor||0||3A||52|
|Barber: Agnus Dei||Samuel Barber, Winchester Cathedral Choir, David Hill||B♭ Minor||1||3A||71|
|Adagio for Strings, Op. 11||Samuel Barber, Royal Scottish National Orchestra, Marin Alsop||B♭ Minor||0||3A||77|
|Symphony No.3, Op. 36 "Symphony of Sorrowful Songs": 2. Lento e largo||Henryk Górecki, Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yuasa||B♭ Minor||0||3A||82|
|Adagio for Strings: Agnus Dei||Samuel Barber, Armonico Consort, Christopher Monks||B♭ Minor||1||3A||78|
|Adagio For Strings, Op.11: 2. Molto adagio||Samuel Barber, Emerson String Quartet||B♭ Minor||1||3A||84|
|Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo||Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman||B♭ Minor||1||3A||70|
|Adagio For Strings, Op.11/2||Samuel Barber, Baltimore Symphony Orchestra, David Zinman||B♭ Minor||0||3A||71|
|Adagio for Strings op.11||Samuel Barber, Thomas Bowes, Joseph Swensen, Malmö Opera Orchestra||B♭ Minor||1||3A||79|
|Barber: Adagio for Strings, Op. 11||Samuel Barber, Sir Simon Rattle, Berliner Philharmoniker||B♭ Minor||1||3A||74|
|Barber: Adagio para Cuerdas||Samuel Barber, André Previn, London Symphony Orchestra||B♭ Minor||0||3A||88|
|Agnus Dei, Op. 11||Samuel Barber, Katherine Jenkins, Rodolfus Choir||B♭ Minor||2||3A||89|
|Adagio For Strings, Op.11||Samuel Barber, Jacek Kaspszyk, London Symphony Orchestra||B♭ Minor||0||3A||82|
|Agnus Dei, Adagio Op. 11||Samuel Barber, Accentus, Laurence Equilbey||B♭ Minor||1||3A||74|
|Barber: Adagio for Strings, Op. 11a||Samuel Barber, Eugene Ormandy, Philadelphia Orchestra||B♭ Minor||1||3A||80|
|String Quartet, Op. 11: II. Molto adagio||Samuel Barber, Ying Quartet||B♭ Minor||0||3A||90|
|Suite bergamasque, L. 75: III. Clair de lune||Claude Debussy, Alexis Weissenberg||D♭ Major||0||3B||57|
|Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording||Frédéric Chopin, Maurizio Pollini||D♭ Major||0||3B||56|
|Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII (Andante cantabile)||Sergei Rachmaninoff, Cecile Ousset, Sir Simon Rattle, City Of Birmingham Symphony Orchestra||D♭ Major||2||3B||84|
|Adagio for Strings, Op.11 - Extract||Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner||D♭ Major||1||3B||79|
|The Gadfly Suite, Op. 97a: VIII. Romance: Allegro moderato - Andante con moto||Dmitri Shostakovich, Yuri Torchinsky, Peter Dixon, BBC Philharmonic, Vassily Sinaisky||D♭ Major||0||3B||66|
|Nabucco, Act III: Chorus of the Hebrew Slaves "Va pensiero, sull'ali dorate"||Giuseppe Verdi, London Philharmonic Choir, The London Chorus, David Parry, London Philharmonic Orchestra||D♭ Major||1||3B||124|
|Nimrod||Edward Elgar, The Coldstream Guards Band||D♭ Major||2||3B||71|
|Fly to Paradise - Main Mix||Eric Whitacre, Guy Sigsworth, Hila Plitmann, Will Dawes||D♭ Major||5||3B||77|
|Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra)||Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia Orchestra||D♭ Major||0||3B||165|
|Alexander Nevsky, Op. 78: V. The Battle On Ice||Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus||D♭ Major||3||3B||116|
|Puccini: Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly)||Giacomo Puccini, Maria Callas, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano||D♭ Major||2||3B||77|
|Funeral Canticle||John Tavener, Academy of Ancient Music, George Mosley, Paul Goodwin, Andrew Manze, The Choir of the AAM||D♭ Major||0||3B||74|
|Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo||Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra||D♭ Major||0||3B||73|
This song is track #10 in Villa-Lobos: Cantilena From Bachianas Brasileiras No. 5 / Barber: Adagio / Vaughan Williams: Fantasia On Greensleeves etc by Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner, which has a total of 12 tracks. The duration of this track is 7:30 and was released on October 1, 1987. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Adagio for Strings, Op.11 might be one of them, due to it's low energy and danceability.
Adagio for Strings, Op.11 has a BPM of 83. Since this track has a tempo of 83, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.
The key of Adagio for Strings, Op.11 is B♭ Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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