Johann Sebastian Bach, David Fray's 'Bach, JS: Goldberg Variations, BWV 988: Variation 7. Al tempo di giga' came out on November 26, 2021. The duration of Bach, JS: Goldberg Variations, BWV 988: Variation 7. Al tempo di giga is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Bach, JS: Goldberg Variations, BWV 988: Variation 7. Al tempo di giga's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 32 in Bach, JS: Goldberg Variations by Johann Sebastian Bach, David Fray. In terms of popularity, Bach, JS: Goldberg Variations, BWV 988: Variation 7. Al tempo di giga is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Goldberg Variations, BWV 988: Variation 7. Al tempo di giga by Johann Sebastian Bach, David Fray is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante in G Minor, Wq. 116/27, H. 253 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 150 BPM | ||
Keyboard Sonata in C Minor, Kk. 11 | Domenico Scarlatti, Alon Goldstein | D Major | 1 | 10B | 107 BPM | ||
Antillean Dances, Op. 2: No. 3. Tristeza, Waltz | Wim Statius Muller, Louise Bessette | B Minor | 0 | 10A | 73 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: I. Largamente e cantato | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 96 BPM | ||
Lied ohne Worte, Op. 102: No. 5 in A Major, MWV U 194 "Piece for Children" | Felix Mendelssohn, Peter Donohoe | D♭ Minor | 1 | 12A | 125 BPM | ||
Oboe Concerto in G Major, TWV 51:2: I. Andante | Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis | E Minor | 1 | 9A | 73 BPM | ||
Suite en la: la Triomphante | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
Das Wohltemperierte Klavier: Book 1, BWV 846-869: Fugue In C Major BWV 846 | Johann Sebastian Bach, András Schiff | C Major | 2 | 8B | 136 BPM | ||
Fantasie g-Moll "duobus subjectis" BWV 917 | Inge Rosar, Johann Sebastian Bach | A Minor | 3 | 8A | 64 BPM | ||
Fantasie c-Moll BWV 919 | Inge Rosar, Johann Sebastian Bach | A♭ Major | 1 | 4B | 132 BPM |
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