Wolfgang Amadeus Mozart, Klaus Arp, Peter Edelmann, SWR Symphony Orchestra's 'Die Zauberflöte, K. 620, Act I: "Der Vogelfänger bin ich ja"' came out on October 9, 2021. The duration of Die Zauberflöte, K. 620, Act I: "Der Vogelfänger bin ich ja" is about 3 minutes long, at 3:02. Based on our data, "Die Zauberflöte, K. 620, Act I: "Der Vogelfänger bin ich ja"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Die Zauberflöte, K. 620, Act I: "Der Vogelfänger bin ich ja"" is a single. Based on our statistics, Die Zauberflöte, K. 620, Act I: "Der Vogelfänger bin ich ja"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Die Zauberflöte, K. 620, Act I: "Der Vogelfänger bin ich ja" by Wolfgang Amadeus Mozart, Klaus Arp, Peter Edelmann, SWR Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C minor Op. 67: I. Allegro con brio | Sir Roger Norrington, London Classical Players | C Minor | 2 | 5A | 107 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Piano Sonata No.13 in B flat, K.333: 1. Allegro | Wolfgang Amadeus Mozart, András Schiff | B♭ Major | 0 | 6B | 126 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
16 Waltzes, Op. 39: No. 15 in A Flat Major | Johannes Brahms, Fabian Müller | A♭ Major | 0 | 4B | 69 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro | Wolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia Varsovia | C Major | 4 | 8B | 143 BPM |
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