Cello Concerto in E minor, Op. 85: I. Adagio - Moderato - Edward Elgar, Felix Schmidt, Rafael Frühbeck de Burgos, London Symphony Orchestra Information

Acousticness: 92%
Danceability: 14%
Energy: 4%
Instrumentalness: 77%
Liveness: 11%
Loudness: 58%
Speechiness: 4%
Valence: 4%
Popularity: 9%
Loudness: -25.484 dB

Summary

"Cello Concerto in E minor, Op. 85: I. Adagio - Moderato" by Edward Elgar, Felix Schmidt, Rafael Frühbeck de Burgos, London Symphony Orchestra was released on January 1, 2005. Since Cello Concerto in E minor, Op. 85: I. Adagio - Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Elgar: Cello Concerto - Vaughan Williams: Fantasias by Magnar Harestad, Sh@m3n, Noisefever, London Symphony Orchestra, Rafael Frühbeck de Burgos, Felix Schmidt. In terms of popularity, Cello Concerto in E minor, Op. 85: I. Adagio - Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cello Concerto in E minor, Op. 85: I. Adagio - Moderato BPM

The tempo marking of Cello Concerto in E minor, Op. 85: I. Adagio - Moderato by Edward Elgar, Felix Schmidt, Rafael Frühbeck de Burgos, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Cello Concerto in E minor, Op. 85: I. Adagio - Moderato Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	E♭ Major	0	5B	79 BPM
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio	Anton Arensky, The Rembrandt Trio	G Minor	0	6A	90 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	C Minor	0	5A	83 BPM
Prelude In A Minor Op. 32 No. 8	Vladimir Horowitz	F Major	1	7B	59 BPM
Symphony No. 3, Op. 88 (elaborated A. Payne): II. Scherzo: Allegretto	Anthony Payne, Edward Elgar, Bournemouth Symphony Orchestra, Paul Daniel	E Minor	0	9A	176 BPM
Ravel: Pavane pour une infante défunte, M. 19	Maurice Ravel, Bertrand Chamayou	E Minor	0	9A	126 BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220	Carl Philipp Emanuel Bach, Ana-Marija Markovina	F Minor	2	4A	76 BPM
Capriol Suite: 1. Basse-danse	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	D Minor	2	7A	133 BPM
The Planets, Op. 32: II. Venus, the Bringer of Peace	Gustav Holst, London Symphony Orchestra, Sir Colin Davis	A♭ Major	0	4B	83 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6501309871673584

End: 0.6540489196777344