Michael Peterson's 'From Here to Eternity' had a release date set for July 3, 1997. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michael Peterson's "Michael Peterson" album is number 6 out of 11. On top of that, United States appears to be the country where this track was created. From Here to Eternity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of From Here to Eternity by Michael Peterson to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fading Away (feat. Michael Peterson) | Michael Peterson | C Major | 6 | 8B | 81 BPM | ||
The Road You Leave Behind | David Lee Murphy | E Major | 4 | 12B | 123 BPM | ||
I'm Still Dancin' With You | Wade Hayes | D Major | 3 | 10B | 74 BPM | ||
1224 Drive (feat. Michael Peterson) | Michael Peterson | C Major | 6 | 8B | 81 BPM | ||
It's Getting Better All The Time | Brooks & Dunn | E Major | 4 | 12B | 135 BPM | ||
Here I Am | Patty Loveless | E♭ Major | 4 | 5B | 76 BPM | ||
My One And Only Love | Jeff Carson | A♭ Major | 4 | 4B | 144 BPM | ||
A Woman's Touch | Toby Keith | B Minor | 8 | 10A | 135 BPM | ||
With You | Lila McCann | E Major | 8 | 12B | 128 BPM | ||
American Child | Phil Vassar | D Major | 6 | 10B | 168 BPM | ||
I Do (Cherish You) | Mark Wills | F♯ Major | 5 | 2B | 83 BPM | ||
You're Not In Kansas Anymore | Jo Dee Messina | D♭ Major | 8 | 3B | 116 BPM | ||
Kentucky Bluebird | Wade Hayes | E Major | 4 | 12B | 79 BPM | ||
Almost Doesn't Count | Mark Wills | A Major | 4 | 11B | 135 BPM | ||
In Between Dances | Pam Tillis | B♭ Major | 3 | 6B | 136 BPM | ||
The River | Brooks Jefferson | A Major | 4 | 11B | 77 BPM | ||
There's Only You | Kevin Sharp | F Major | 3 | 7B | 171 BPM | ||
Keeper Of The Stars - Bonus Track | Tracy Byrd | D Major | 5 | 10B | 78 BPM | ||
Standing On the Edge Of Goodbye | John Berry | A Major | 4 | 11B | 138 BPM | ||
Somewhere Other Than The Night | Brandon Garth | E♭ Major | 2 | 5B | 73 BPM | ||
I'll Always Come Back | K.T. Oslin | C Major | 3 | 8B | 168 BPM | ||
Scars And All | Jeff Carson | G Major | 3 | 9B | 94 BPM | ||
That's How You Know It's Love | Deana Carter | E♭ Major | 2 | 5B | 146 BPM | ||
Because You Love Me | Jo Dee Messina | A Major | 4 | 11B | 145 BPM | ||
The Day That She Left Tulsa (In A Chevy) | Wade Hayes | A♭ Major | 4 | 4B | 68 BPM |