"Stabat Mater pour soprano, contralto, cordes et basse continue: I. Stabat Mater dolorosa" by Il Seminario Musicale, Gérard Lesne, Véronique Gens was released on August 4, 2008. Stabat Mater pour soprano, contralto, cordes et basse continue: I. Stabat Mater dolorosa is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 20 in the song's album "The Best of Baroque". In this album, this song's track order is #19. Stabat Mater pour soprano, contralto, cordes et basse continue: I. Stabat Mater dolorosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater pour soprano, contralto, cordes et basse continue: I. Stabat Mater dolorosa by Il Seminario Musicale, Gérard Lesne, Véronique Gens having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clérambault: Pirame et Tisbé: No. 3, Air "Si votre tendresse est extrême" (Gracieusement et louré) | Louis-Nicolas Clérambault, Gérard Lesne, Il Seminario Musicale | A♭ Minor | 1 | 1A | 122 BPM | ||
Du Buisson: Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" | Du Buisson, Gérard Lesne, Il Seminario Musicale | A♭ Minor | 0 | 1A | 70 BPM | ||
Premier Concert: Prélude - Gravement (Couperin) | Le Concert Des Nations, Jordi Savall | F Major | 2 | 7B | 84 BPM | ||
Zelenka: Gesù al Calvario, ZWV 62: "S'una sol lagrima" | Jan Dismas Zelenka, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B Minor | 1 | 10A | 91 BPM | ||
La Nuit Ballet: Le Roi représentant le soleils levant | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 111 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Beatus vir: II. Exortum est | Domenico Zipoli, Florilegium, Bolivian Soloists | D♭ Minor | 0 | 12A | 135 BPM | ||
Instrumental Interlude | Henry Purcell, Gérard Lesne, Il Seminario Musicale | E♭ Minor | 1 | 2A | 96 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | ||
Leçons des morts : Troisième leçon des morts pour dessus & haute-contre, 2 violons & basse continue - Sonatina ad libitum : Adagio | Il Seminario Musicale | A♭ Major | 0 | 4B | 92 BPM |
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