Cérémonie De Mariage's 'I Will Always Love You (Tiré Du Film "The Bodyguard")' came out on October 15, 2008. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Cérémonie De Mariage's "Les Plus Belles Chansons D'Amour" album is number 2 out of 17. Based on our statistics, I Will Always Love You (Tiré Du Film "The Bodyguard")'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of I Will Always Love You (Tiré Du Film "The Bodyguard") by Cérémonie De Mariage to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guillaume Tell: Overture: Allegro vivace (Finale) | Gioachino Rossini, Valery Gergiev, Wiener Philharmoniker | E Major | 4 | 12B | 151 BPM | ||
Spring, Op. 22a | Josef Suk, Radoslav Kvapil | D Minor | 1 | 7A | 74 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Camerata Romana, Eugen Duvier | D Minor | 3 | 7A | 91 BPM | ||
Canon | Johann Pachelbel, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 137 BPM | ||
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | ||
Vals Nº 2 De Dimitri Shostakovich (Vals) - Instrumental | Ballroom Orchestra and Singers | C Minor | 3 | 5A | 188 BPM | ||
Pavane - Produced | Gabriel Fauré, Orchestra Da Camera Di Roma | F♯ Minor | 1 | 11A | 129 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
Theme from E.T. (The Extra-Terrestrial) | Ron Goodwin | A Minor | 0 | 8A | 79 BPM |
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