Chapitres tournés en tous sens: 1. Celle qui parle trop
Erik Satie, Jean-Yves Thibaudet
1:01
December 27, 2021
- BPM
- N/A
- Key
- N/A
- Camelot
- N/A
Chapitres tournés en tous sens: 1. Celle qui parle trop - Erik Satie, Jean-Yves Thibaudet Information
- Acousticness
- N/A%
- Danceability
- N/A%
- Energy
- N/A%
- Instrumentalness
- N/A%
- Liveness
- N/A%
- Loudness
- N/A%
- Speechiness
- N/A%
- Valence
- N/A%
- Popularity
- 22%
- Loudness
- None dB
Summary
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturne No. 7 in Eb Major, FP. 56 | Francis Poulenc, Belle Chen | F Minor | 1 | 4A | 76 BPM | |
 | Gymnopédie No. 1 | Erik Satie, Francis Poulenc | G Major | 0 | 9B | 91 BPM | |
 | Oblivion (Arr. String Quartet) | Astor Piazzolla, Carducci String Quartet | C Minor | 2 | 5A | 115 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | |
 | 5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | |
 | Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | |
 | 3 Gymnopédies: Gymnopedie No. 1 | Erik Satie, Klara Kormendi | G Major | 0 | 9B | 99 BPM | |
 | Bagatelle No. 25 in A Minor, "Für Elise", WoO 59 | Lang Lang | A Minor | 0 | 8A | 133 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7548303604125977
End: 0.9049499034881592