"Capriccio espagnol, Op.34: Scena e canto gitano -" by Mariss Jansons, London Philharmonic Orchestra was released on 2002. With this song being about 5 minutes long, at 4:58, "Capriccio espagnol, Op.34: Scena e canto gitano -" by Mariss Jansons, London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mariss Jansons's "Mussorgsky:Pictures at an Exhibition etc/Rimsky-Korsakov:Scheherazade etc" album is number 8 out of 26. In terms of popularity, Capriccio espagnol, Op.34: Scena e canto gitano - is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Capriccio espagnol, Op.34: Scena e canto gitano - by Mariss Jansons, London Philharmonic Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | D♭ Major | 3 | 3B | 123 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: IV. Minuet | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | F Major | 1 | 7B | 79 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 1 | 9B | 112 BPM | ||
The Rite of Spring, Pt. 2 "The Sacrifice" (1947 Version): IX. Introduction [Live] | Igor Stravinsky, Bavarian Radio Symphony Orchestra, Mariss Jansons | D♭ Minor | 3 | 12A | 119 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | B♭ Minor | 2 | 3A | 172 BPM |
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