"Canon and Gigue in D major - arr. Max Seiffert: 1. Canon" by Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus was released on January 1, 1994. With this song being about 5 minutes long, at 5:06, "Canon and Gigue in D major - arr. Max Seiffert: 1. Canon" by Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Berliner Philharmoniker, Herbert von Karajan's "Herbert von Karajan - Adagio" album is number 2 out of 11. In terms of popularity, Canon and Gigue in D major - arr. Max Seiffert: 1. Canon is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canon and Gigue in D major - arr. Max Seiffert: 1. Canon by Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach - Gounod: Ave Maria | Maria And Dimitrinka Tuturilova | C Major | 2 | 8B | 158 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
The Notebook for Anna Magdalena Bach: No. 4, Menuet in G Major - Formerly Attributed to Johann Sebastian Bach as BWV Anh. 114 | Christian Petzold, Christos Tsitsaros | G Major | 1 | 9B | 143 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Kanon in D major | Johann Pachelbel, Duel, London Session Orchestra, Gavyn Wright | D Major | 4 | 10B | 81 BPM | ||
Solitary Hill | Brian Crain | G Major | 3 | 9B | 76 BPM | ||
Wiegenlied, Op.49, No.4 | Johannes Brahms, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 82 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM |
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