"Die Schöpfung, Hob.XXI:2 / Part 1: Mit Staunen sieht das Wunderwerk - Live" by Franz Joseph Haydn, Gundula Janowitz, Oskar Peter, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein was released on May 1, 2021. The duration of Die Schöpfung, Hob.XXI:2 / Part 1: Mit Staunen sieht das Wunderwerk - Live is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Die Schöpfung, Hob.XXI:2 / Part 1: Mit Staunen sieht das Wunderwerk - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 141 in the song's album "Simply Haydn". In this album, this song's track order is #106. In terms of popularity, Die Schöpfung, Hob.XXI:2 / Part 1: Mit Staunen sieht das Wunderwerk - Live is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Schöpfung, Hob.XXI:2 / Part 1: Mit Staunen sieht das Wunderwerk - Live by Franz Joseph Haydn, Gundula Janowitz, Oskar Peter, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Clarinet Quartet in E-Flat Major, WoO 5, S78: III. Andante: Andante | Johann Nepomuk Hummel, Mario Finotti, Fabrizio Meloni, Andrea Pecolo, Luca Ranieri, Orchestra Internazionale D'Italia, Diego Dini Ciacci | A♭ Major | 0 | 4B | 79 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Sextet in E-Flat Major, Op. 81b: III. Rondo | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 1 | 5B | 134 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM |
Section: 1.061293601989746
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