"Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began)" by Alfred Schnittke, USSR Ministry of Culture Chamber Choir, Valery Polyansky was released on December 1, 2015. Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began) is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Schnittke: Choir Concerto & 2 Small Organ Pieces". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began) by Alfred Schnittke, USSR Ministry of Culture Chamber Choir, Valery Polyansky having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dutilleux: Blackbird | Henri Dutilleux, Anne Queffélec | D♭ Major | 1 | 3B | 180 BPM | ||
The Lamb | John Tavener, 12 Ensemble | E Minor | 0 | 9A | 72 BPM | ||
Concerto grosso no.1 (1976-77): 4. Cadenza (without tempo marking) | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | D Major | 1 | 10B | 96 BPM | ||
Concerto for Violin and Orchestra: II. Adagio | Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Jennifer Koh | D Major | 0 | 10B | 87 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM | ||
Karadec Suite, Op. 34: II. Chanson | Vincent d'Indy, Malmö Symphony Orchestra, Darrell Ang | E♭ Major | 0 | 5B | 70 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Messa da Requiem: VII Requiem aeternam | Cesar Hernandez, Hungarian State Opera Orchestra, Elena Filipova, Hungarian State Opera Chorus, Gloria Scalchi, Carlo Colombara | E Major | 6 | 12B | 115 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM |
Section: 0.707317590713501
End: 0.711155891418457