Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" by Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras

Song Analysis

Audio information that is featured on Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" by Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras.

Acousticness

96%

Energy

16%

Liveness

11%

Speechiness

13%

Danceability

35%

Instrumentalness

2%

Loudness

65%

Valence

14%

Harmonic Matches

Find songs that harmonically matches to Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" by Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Il barbiere di Siviglia / Act 1: No.2 Cavatina: Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion MarinC Major38B148
Fedora / Act 2: Fedora / Act 2: "Amor ti vieta"Umberto Giordano, Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto EredeC Major48B84
New York, New York [New York, New York] by Luciano Pavarotti, Liza Minnelli, Orchestra filarmonica di Torino, Marco ArmiliatoNew York, New York [New York, New York]Luciano Pavarotti, Liza Minnelli, Orchestra filarmonica di Torino, Marco ArmiliatoC Major78B120
Funiculì, funiculà by Luigi Denza, Aqua, Luciano Pavarotti, Ars Canto G. Verdi, Cambodian And Tibetan Children's Choir, Orchestra Sinfonica Italiana, José MolinaFuniculì, funiculàLuigi Denza, Aqua, Luciano Pavarotti, Ars Canto G. Verdi, Cambodian And Tibetan Children's Choir, Orchestra Sinfonica Italiana, José MolinaC Major98B132
Roméo et Juliette, CG 9 / Act 1: Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève"Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius MeisterC Major38B77
Dove non so (Somewhere My Love - Lara's Theme) by Paul PottsDove non so (Somewhere My Love - Lara's Theme)Paul PottsC Major38B80
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) by Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco ArmiliatoPéchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville)Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco ArmiliatoC Major28B117
The Bartered Bride, JB 1:100, B. 131: Act I Scene 5: Introduction: Polka - Take your partners for the polka (Chorus) by Bedřich Smetana, Neal Davies, Yvonne Howard, Susan Gritton, Geoffrey Moses, Diana Montague, Timothy Robinson, Paul Charles Clarke, Peter Rose, Robin Leggate, Yvette Bonner, Kit Hesketh-Harvey, Louis Hill, Ravi Shar, Royal Opera House Chorus, Covent Garden, Philharmonia Orchestra, Sir Charles MackerrasThe Bartered Bride, JB 1:100, B. 131: Act I Scene 5: Introduction: Polka - Take your partners for the polka (Chorus)Bedřich Smetana, Neal Davies, Yvonne Howard, Susan Gritton, Geoffrey Moses, Diana Montague, Timothy Robinson, Paul Charles Clarke, Peter Rose, Robin Leggate, Yvette Bonner, Kit Hesketh-Harvey, Louis Hill, Ravi Shar, Royal Opera House Chorus, Covent Garden, Philharmonia Orchestra, Sir Charles MackerrasC Major38B103
L'elisir d'amore / Act 1: L'elisir d'amore / Act 1: "Quanto è bella"Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard BonyngeC Major28B80
M'apparì from Martha - Vocal by Friedrich von Flotow, Michael Bolton, Philharmonia Orchestra, Steven MercurioM'apparì from Martha - VocalFriedrich von Flotow, Michael Bolton, Philharmonia Orchestra, Steven MercurioC Major28B118
The Way We Were by José Carreras, Robert Farnon And His OrchestraThe Way We WereJosé Carreras, Robert Farnon And His OrchestraC Major18B171
Il barbiere di Siviglia / Act 1: No.2 Cavatina: Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"Gioachino Rossini, Manuel Ausensi, Orchestra del Teatro San Carlo di Napoli, Silvio VarvisoC Major38B113
Il Trovatore / Act 3: Il Trovatore / Act 3: "Di quella pira"Giuseppe Verdi, Joseph Calleja, Angela Gheorghiu, Apollo Voices, Orquestra de la Comunitat Valenciana, Ramón TebarC Major48B80
Orfeo ed Euridice / Act 3: Aria: Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?"Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg SoltiC Major28B106
Fedora / Act 2: Fedora / Act 2: "Amor ti vieta"Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de FabritiisC Major28B85
Fedora / Act 2: Fedora / Act 2: "Amor ti vieta" - RemasteredUmberto Giordano, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea NosedaC Major28B172
Il barbiere di Siviglia / Act 1: Il barbiere di Siviglia / Act 1: "Largo al factotum"Gioachino Rossini, Hermann Prey, London Symphony Orchestra, Claudio AbbadoC Major38B142
I Lituani / Act 3: I Lituani / Act 3: "Sì...questa estrema grazia"Amilcare Ponchielli, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoC Major28B176
Orfeo ed Euridice, Wq. 30 / Act 3: Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?"Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander GibsonC Major18B77
Largo al factotum by Gioachino Rossini, Simon Keenlyside, Ulf SchirmerLargo al factotumGioachino Rossini, Simon Keenlyside, Ulf SchirmerC Major38B73
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta by Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence RenesIl barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della cittaGioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence RenesC Major38B99
Pagliacci: Vesti la giubba - Vocal by Ruggero Leoncavallo, Michael Bolton, Philharmonia Orchestra, Steven MercurioPagliacci: Vesti la giubba - VocalRuggero Leoncavallo, Michael Bolton, Philharmonia Orchestra, Steven MercurioA Minor38A84
L'Arlesiana / Act 2: L'Arlesiana / Act 2: "È la solita storia del pastore"Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola RescignoA Minor18A93
Les pêcheurs de perles, WD 13 / Act 1: Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore"Georges Bizet, Leopold Simoneau, Orchestre des Concerts Lamoureux, Jean FournetA Minor18A85
La Sonnambula / Act 2: Ah, non credea mirarti by Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám FischerLa Sonnambula / Act 2: Ah, non credea mirartiVincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám FischerA Minor18A109
Vesti la giubba (From Vesti la giubba (From "For the First Time")Ruggero Leoncavallo, Mario Lanza, Constantine CallinicosA Minor38A84

Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" by Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras Information

This song is track #11 in Renée Fleming by Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras, which has a total of 14 tracks. The duration of this track is 3:43 and was released on January 1, 2000. As of now, this track is currently not as popular as other songs out there. Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" BPM

Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" has a BPM of 79. Since this track has a tempo of 79, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" Key

The key of Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" is C Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

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