Ottorino Respighi, Munich Radio Orchestra, Henry Raudales's 'Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto Il Conte Orlando' came out on August 5, 2016. The duration of Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto Il Conte Orlando is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto Il Conte Orlando's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Respighi: Antiche danze ed arie per liuto & Gli uccelli". In this album, this song's track order is #1. Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto Il Conte Orlando is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto Il Conte Orlando by Ottorino Respighi, Munich Radio Orchestra, Henry Raudales having a BPM of 56 with a half-time of 28 BPM and a double-time of 112 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM | ||
Fountains Of Rome, P. 106: 1. The Valle Giulia Fountain At Daybreak | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 63 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante | Dmitri Shostakovich, Konstantin Scherbakov | G Major | 0 | 9B | 100 BPM | ||
Nocturne No. 9 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 56 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | A Major | 2 | 11B | 103 BPM |
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