"Corrente Quinta: I. Andante (Accademia Farnese: Flauto Secondo Serena Mazza, Cembalo Luigi Fontana)" by Giovanni Battista Vitali, Claudio Ferrarini was released on February 4, 2020. With Corrente Quinta: I. Andante (Accademia Farnese: Flauto Secondo Serena Mazza, Cembalo Luigi Fontana) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giovanni Battista Vitali, Claudio Ferrarini's "Giovanni Battista Vitali: Artificii Musicali: Ciaccone Partite Balletti Capricci Correnti Passa Galli" album is number 15 out of 21. In terms of popularity, Corrente Quinta: I. Andante (Accademia Farnese: Flauto Secondo Serena Mazza, Cembalo Luigi Fontana) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Corrente Quinta: I. Andante (Accademia Farnese: Flauto Secondo Serena Mazza, Cembalo Luigi Fontana) by Giovanni Battista Vitali, Claudio Ferrarini to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Suite in D Major: IX. Tempo di minuet | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 79 BPM | ||
Stabat Mater in F Minor, RV 621: No. 8., Fac ut ardeat | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Te deum, LWV 55: V. Sanctum quoque Paraclitum Spiritum | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Viola da gamba Sonata in D Major, A2:50: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | D♭ Major | 3 | 3B | 97 BPM | ||
Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
Sonata No. 3 in E Minor: I. Grave | Giovanni Battista Vitali, Semperconsort | E♭ Minor | 1 | 2A | 167 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | C Minor | 5 | 5A | 153 BPM | ||
Cello Sonata in G Minor, Op. 1 No. 4: I. Adagio | Benedetto Marcello, Roel Dieltiens, Richte Van Der Meer, Robert Kohnen | F♯ Minor | 0 | 11A | 70 BPM |
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