"Pieces Espagnoles: No. 2, Cubana - Duo-Art 0342 Br" by Manuel de Falla, Peter Phillips, Joseph Greene was released on May 23, 2023. The duration of Pieces Espagnoles: No. 2, Cubana - Duo-Art 0342 Br is about 3 minutes long, at 3:24. Based on our data, "Pieces Espagnoles: No. 2, Cubana - Duo-Art 0342 Br" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 8 in Barcarolle. Piano Evocations from the Golden Age by Peter Phillips, Alexander Borodin, John Ireland, Frederick Delius, Pyotr Ilyich Tchaikovsky, Charles-Valentin Alkan, César Franck, Manuel de Falla. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Pieces Espagnoles: No. 2, Cubana - Duo-Art 0342 Br is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pieces Espagnoles: No. 2, Cubana - Duo-Art 0342 Br by Manuel de Falla, Peter Phillips, Joseph Greene is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Violin Duets (1996 Digital Remaster): I. Praeludium | Pinchas Zukerman, Itzhak Perlman | B Minor | 1 | 10A | 91 BPM | ||
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Kinderszenen, Op.15: 4. Bittendes Kind | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 113 BPM | ||
Lyric Pieces, Op.71: VII. Efterklang - Tempo di valse | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 77 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | D Major | 1 | 10B | 121 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Damunt de tu Només les flors | Federico Mompou, Arcadi Volodos | F Minor | 0 | 4A | 73 BPM |
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