Joseph Haydn, Ingrid Haebler made "Keyboard Sonata in C-Sharp Minor, Hob. XVI:36: II. Scherzando (Allegro con brio)" available on December 2, 2022. The duration of Keyboard Sonata in C-Sharp Minor, Hob. XVI:36: II. Scherzando (Allegro con brio) is about 3 minutes long, at 3:22. Based on our data, "Keyboard Sonata in C-Sharp Minor, Hob. XVI:36: II. Scherzando (Allegro con brio)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, Ingrid Haebler's "Haydn: Keyboard Sonatas Nos. 20, 33, 35-39 & 52; Andante con Variazioni in F Minor; Concerto for Keyboard & Orchestra No. 11" album is number 5 out of 28. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Keyboard Sonata in C-Sharp Minor, Hob. XVI:36: II. Scherzando (Allegro con brio) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Keyboard Sonata in C-Sharp Minor, Hob. XVI:36: II. Scherzando (Allegro con brio) by Joseph Haydn, Ingrid Haebler to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Proserpine: Overture in D Major: I. Allegro spiritoso | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 3 | 10B | 140 BPM | ||
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
L'Arlésienne Suite No.2: Menuet | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 73 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Rhapsody In G Minor, Op.79, No.2 | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM |
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