Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF's 'Ivan IV, WD 12, erster Akt: Poisons mes soeurs' came out on December 8, 1961. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 20 in Bizet: Ivan IV by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF. Based on our statistics, Ivan IV, WD 12, erster Akt: Poisons mes soeurs's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ivan IV, WD 12, erster Akt: Poisons mes soeurs by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Symphony No. 1 in E Minor, Op. 1: I. Largo assai - Allegro | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 5 | 11B | 83 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Glazunov: Symphony No. 3 in D Major, Op. 33: II. Scherzo. Vivace | Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra | E♭ Major | 2 | 5B | 139 BPM | ||
Poulenc: Gloria, FP 177: VI. Qui sedes ad dexteram Patris (Chorus, Soprano). Maestoso - Allegretto | Francis Poulenc, Rosanna Carteri - Choeur De L'Ortf - Orchestre National Ortf - Georges Prêtre, Georges Prêtre, Orchestre National de l'O.R.T.F. | G Major | 2 | 9B | 86 BPM | ||
Violin Concerto in D Major, Op.35, TH 59 : II. Canzonetta. Andante - Live Recording, Lausanne 1973 | Pyotr Ilyich Tchaikovsky, Igor Oistrakh, Jean Martinon, Orchestre National de l'O.R.T.F. | E♭ Major | 0 | 5B | 69 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 66 BPM | ||
Tchaikovsky: Eugene Onegin, Op. 24, Act III: Polonaise | Pyotr Ilyich Tchaikovsky, Seiji Ozawa, Berliner Philharmoniker | G Major | 3 | 9B | 102 BPM | ||
Symphony in D Minor, FWV 48 (Remastered): III. Finale - Allegro non troppo | César Franck, Pierre Monteux, Chicago Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
Pulcinella Suite: III. Scherzino - Allegro - Andantino | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | C Major | 1 | 8B | 124 BPM |
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