"Aria: Bist du bei mir, BWV 508 (Arr. for Organ)" by Gottfried Heinrich Stölzel, Aafje Heynis, Pierre Palla was released on January 1, 2001. The duration of Aria: Bist du bei mir, BWV 508 (Arr. for Organ) is about 3 minutes long, at 3:20. Based on our data, "Aria: Bist du bei mir, BWV 508 (Arr. for Organ)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Sacred Arias". In this album, this song's track order is #1. Aria: Bist du bei mir, BWV 508 (Arr. for Organ) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aria: Bist du bei mir, BWV 508 (Arr. for Organ) by Gottfried Heinrich Stölzel, Aafje Heynis, Pierre Palla having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum in D, "Dettingen", HWV 283: 2. All the earth doth worship thee | George Frideric Handel, Aafje Heynis, Choir Of The Netherlands Bach Society, Orchestra, Anton van der Horst | D Major | 1 | 10B | 90 BPM | ||
Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 0 | 6B | 68 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Missa Salisburgensis: I. Kyrie | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 78 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
Missa Sancti Georgii: I. Kyrie | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | A Major | 0 | 11B | 74 BPM | ||
Schubert: Du bist die Ruh, D. 776 | Franz Schubert, Ian Bostridge, Julius Drake | E♭ Major | 0 | 5B | 160 BPM | ||
Le carnaval des animaux: Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | G Major | 0 | 9B | 88 BPM | ||
All-night Vigil, Op. 37, "Vespers": Blessed is the man | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Klava | D Minor | 0 | 7A | 69 BPM |
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