Armand-Louis Couperin, Stanislav Heller made "Prélude non mesure No. 13 in F Major for Harpsicord" available on October 9, 2021. The duration of Prélude non mesure No. 13 in F Major for Harpsicord is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Prélude non mesure No. 13 in F Major for Harpsicord's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 45 in Baroque Hits by Various Artists. In terms of popularity, Prélude non mesure No. 13 in F Major for Harpsicord is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Prélude non mesure No. 13 in F Major for Harpsicord by Armand-Louis Couperin, Stanislav Heller is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de clavecin en Si Bémol: IV. La du Breüil | Armand-Louis Couperin, Christophe Rousset | E Major | 4 | 12B | 103 BPM | ||
Concerto, GWV 308: III. Largo | Christoph Graupner, Josh Cohen, Ensemble Sprezzatura, Daniel Abraham | B♭ Minor | 1 | 3A | 76 BPM | ||
6 Sonates pour flûte, op. 2: Sonate pour flûte et basse continue op. 2, no 2 en ré mineur: II. Allemanda (Allegro) | Michel Blavet, Anne Thivierge, Mélisande Corriveau, Eric Milnes | D♭ Major | 2 | 3B | 90 BPM | ||
Suitte en Trio No. 5 in G Major, Op. 1: V. Gigue | Louis-Antoine Dornel, Musica Barocca | D♭ Major | 1 | 3B | 176 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Minor | 1 | 11A | 94 BPM | ||
Musical Offering, BWV 1079, Quaerendo invenieti: Canon a 2 | Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez | F♯ Minor | 3 | 11A | 62 BPM | ||
Harpsichord Suite No. 3 in A Minor: II. Allemande | Élisabeth Jacquet de La Guerre, Daniela Dolci | A Major | 2 | 11B | 176 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): I. Largo andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 96 BPM | ||
Sonata in D Major for Harpsichord & Violin ad libitum, Op. 2 No. 2: II. Rondeau. Gracioso | Armand-Louis Couperin, Liana Mosca, Pierre Goy | C Major | 1 | 8B | 59 BPM |
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