"Concerto piano KV 271 Jeunhomme" by Clara Haskil was released on August 24, 2010. Concerto piano KV 271 Jeunhomme appears to be safe for all ages as it is not explicit. There are a total of 65 in the song's album "Piano Classics Greatest Moments". In this album, this song's track order is #54. Concerto piano KV 271 Jeunhomme is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto piano KV 271 Jeunhomme by Clara Haskil having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Romantic Pieces, Op. 75: No. 2, Allegro maestoso | Antonín Dvořák, Anthony Marwood, Susan Tomes | F Major | 1 | 7B | 141 BPM | ||
Smetana: String Quartet No. 1 in E Minor "From My Life": II. Allegro moderato à la Polka | Bedřich Smetana, Alban Berg Quartett | F Major | 2 | 7B | 124 BPM | ||
Herzlich Tut Mich Verlagen, BWV 727 (Arr. W. Kempff): Herzlich Tut Mich Verlangen, BWV 727 (Trans. W. Kempff) | Johann Sebastian Bach, Idil Biret, Wilhelm Kempff | B♭ Major | 1 | 6B | 81 BPM | ||
Piano Sonatina in C Major, Op. 20 No. 1: I. Allegro | Friedrich Kuhlau, Christoph Eschenbach | C Major | 1 | 8B | 150 BPM | ||
Fantasia in D Major, Wq. 117/14, H. 160 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 126 BPM | ||
Der Fischer und das Milchmädchen: VII. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
24 Preludes & Fugues, Op. 87: Fugue no.1 in C major. Moderato (4-voice) | Dmitri Shostakovich, Alexander Melnikov | A Minor | 0 | 8A | 73 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale (Allegro energico) | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM | ||
Piano Sonata in G-Sharp Minor Op. 19, No. 2, "Sonata Fantasy": 1. Andante | Alexander Scriabin, Vladimir Ashkenazy | E Major | 0 | 12B | 66 BPM |
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