François-Adrien Boieldieu, Nicanor Zabaleta, Deutsches Symphonie-Orchester Berlin, Ernst Märzendorfer's 'Concerto for Harp and Orchestra in C: 3. Rondeau (Allegro agitato)' came out on January 1, 1989. Since Concerto for Harp and Orchestra in C: 3. Rondeau (Allegro agitato) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Nicanor Zabaleta - Himmlische Harfe". In this album, this song's track order is #15. In terms of popularity, Concerto for Harp and Orchestra in C: 3. Rondeau (Allegro agitato) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto for Harp and Orchestra in C: 3. Rondeau (Allegro agitato) by François-Adrien Boieldieu, Nicanor Zabaleta, Deutsches Symphonie-Orchester Berlin, Ernst Märzendorfer having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss Jr., J.: Frühlingsstimmen, Op. 410 (Excerpt) | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | B♭ Major | 1 | 6B | 112 BPM | ||
Spartacus - Ballet Suite: Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 1 | 4B | 85 BPM | ||
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | D♭ Minor | 1 | 12A | 86 BPM | ||
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: III. Finale - Allegro | Joseph Haydn, Alison Balsom, Thomas Klug, Deutsche Kammerphilharmonie Bremen | E♭ Major | 2 | 5B | 138 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: I. Vivace | Franz Joseph Haydn, Alexandre Tharaud, Bernard Labadie, Les Violons du Roy | D Major | 1 | 10B | 81 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | A Major | 1 | 11B | 77 BPM |
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