Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz made "Part III. Overture in B-Flat Major: II. Bergerie" available on October 21, 2010. The duration of Part III. Overture in B-Flat Major: II. Bergerie is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Part III. Overture in B-Flat Major: II. Bergerie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #2. In terms of popularity, Part III. Overture in B-Flat Major: II. Bergerie is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Part III. Overture in B-Flat Major: II. Bergerie by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai! | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | A Major | 1 | 11B | 137 BPM | ||
Symphony No. 59 in B-Flat Major: III. Presto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 3 | 11B | 124 BPM | ||
Musique de table, Part III: Concerto for 2 horns in E-Flat Major, TWV 54:Es1: III. Grave | Georg Philipp Telemann, Gavin Edwards, Roger Montgomery, Orchestra of the Golden Age | G Minor | 4 | 6A | 120 BPM | ||
Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | E Major | 1 | 12B | 95 BPM | ||
Concerto grosso in C Minor, Op. 6, No. 8 HWV 326: IV. Adagio | George Frideric Handel, The English Concert, Trevor Pinnock, Simon Standage, Elizabeth Wilcock | B Minor | 2 | 10A | 121 BPM | ||
Sonata in C Major, No. 3: V. Giga: Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 2 | 1B | 57 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: II. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 108 BPM | ||
Pieces de clavessin: Suite No. 2 in D Major: IV. Gavotte en Rondeau | Gaspard Le Roux, London Baroque | D♭ Major | 1 | 3B | 40 BPM | ||
Uccellini : Aria sopra 'La scatola degli aghi' | Marco Uccellini, Il Giardino Armonico | D♭ Major | 2 | 3B | 131 BPM | ||
Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM |
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