"Andante and Finale, Op. 79 (orch. S. Taneyev): Andante" by Polish National Radio Symphony Orchestra, Bernd Glemser, Pyotr Ilyich Tchaikovsky was released on August 2, 1996. Andante and Finale, Op. 79 (orch. S. Taneyev): Andante appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Tchaikovsky: Piano Concertos Nos. 1 And 3". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Andante and Finale, Op. 79 (orch. S. Taneyev): Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andante and Finale, Op. 79 (orch. S. Taneyev): Andante by Polish National Radio Symphony Orchestra, Bernd Glemser, Pyotr Ilyich Tchaikovsky having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Glenn Gould | A♭ Major | 5 | 4B | 136 BPM | ||
Double Bass Concerto, Op. 3: I. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 1 | 11A | 73 BPM | ||
Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Wales Camerata, Owain Arwel Hughes | C Major | 0 | 8B | 75 BPM | ||
The Falls - For Cello and Orchestra | Ennio Morricone, Mikael Samsonov, Pavel Lyubomudrov, Metamorphose String Orchestra | G Major | 0 | 9B | 75 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Sérénade mélancolique, Op. 26: Serenade melancolique (Melancholy Serenade), Op. 26 | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | B♭ Minor | 1 | 3A | 88 BPM | ||
Les Sylphides: 2. Nocturne, Op. 32, No. 2 | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 84 BPM | ||
Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | ||
The Red Poppy, Op. 70: V. Valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 1 | 10B | 163 BPM |
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