"Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra )" by Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog was released on May 15, 2020. With this song being about 5 minutes long, at 4:59, "Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra )" by Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Ravel: Deux mélodies hébraïques, M. A22: 1. Kaddisch (Transcr. For Cello And Orchestra By Richard Tognetti) only contains only one song in the album, we like to consider this song as a single. Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) by Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Cello and Piano in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Camille Thomas, Julien Libeer | F♯ Minor | 1 | 11A | 76 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
Hymnus, Op. 57 | Julius Klengel, Sheku Kanneh-Mason, Ashok Klouda, Josephine Knight, Caroline Dearnley, Hannah Roberts, Rowena Calvert, Nicholas Trygstad, Jo Cole, Desmond Neysmith, Robert Max, Chris Murray, Ben Davies | G Major | 1 | 9B | 89 BPM | ||
7 Canciones populares Españolas: No. 3, Asturiana | Manuel de Falla, Pablo Ferrandez, Denis Kozhukhin | F Minor | 0 | 4A | 71 BPM | ||
Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM |
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