Johann Sebastian Bach, Yo-Yo Ma made "Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prélude" available on August 17, 2018. The duration of Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prélude is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Six Evolutions - Bach: Cello Suites". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prélude's popularity is fairly popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prélude by Johann Sebastian Bach, Yo-Yo Ma having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Giuseppe Tornatore Suite: Nostalgia from "Cinema Paradiso" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | B♭ Major | 2 | 6B | 129 BPM | ||
Canon and Gigue in D Major, P. 37: I. Canon (Arr. Karl Münchinger) | Johann Pachelbel, Stuttgarter Kammerorchester, Karl Münchinger | D Major | 3 | 10B | 95 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Jenő Jandó | D♭ Minor | 0 | 12A | 163 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Carnival of the Animals, R. 125: The Swan | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 0 | 9B | 118 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM |
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