"Chaconne in G Minor" by Tomaso Antonio Vitali, Virgil Boutellis-Taft, Royal Philharmonic Orchestra, Jac van Steen was released on February 21, 2020. Since Chaconne in G Minor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Virgil Boutellis-Taft, Royal Philharmonic Orchestra, Jac van Steen's "Incantation" album is number 2 out of 7. On top of that, France appears to be the country where this track was created. Based on our statistics, Chaconne in G Minor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chaconne in G Minor by Tomaso Antonio Vitali, Virgil Boutellis-Taft, Royal Philharmonic Orchestra, Jac van Steen to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Maria João Pires, Royal Philharmonic Orchestra, André Previn | E Major | 1 | 12B | 105 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Allegro non troppo | Camille Saint-Saëns, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | D Major | 3 | 10B | 95 BPM | ||
Sarasate: Carmen Fantasy, Op. 25 | Pablo de Sarasate, Itzhak Perlman, Lawrence Foster, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 89 BPM | ||
Meditation, Op. 51 | Dora Pejačević, Andrej Bielow, Oliver Triendl | D♭ Major | 0 | 3B | 112 BPM | ||
Nocturne in C Sharp | Frédéric Chopin, Robin Smith, HAUSER, Robert Ziegler, London Symphony Orchestra | F♯ Minor | 3 | 11A | 85 BPM | ||
Rêverie, L. 68 | Claude Debussy, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | F Major | 0 | 7B | 84 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM |
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