Syntagma Musicum's 'La Magdalena (From Basses Dances) (Tromboncino)' came out on 1998. The duration of La Magdalena (From Basses Dances) (Tromboncino) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. La Magdalena (From Basses Dances) (Tromboncino)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vecchie Letrose - Italian Renaissance Music by Syntagma Musicum. The song's track number on the album is #7 out of 23 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, La Magdalena (From Basses Dances) (Tromboncino) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Magdalena (From Basses Dances) (Tromboncino) by Syntagma Musicum has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With La Magdalena (From Basses Dances) (Tromboncino) being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trattado de glosas: Recercadas primera y quarta sobre tenores: I. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Dixit Dóminus: Dixit Dóminus | Roque Ceruti, Coro UAM, Syntagma Musicum, Les Carrillons, Coro Arakaendar | D♭ Minor | 3 | 12A | 114 BPM | ||
Second livre de danseries: Tourdion C’est grand plaisir | Pierre Attaingnant, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Spagnoletta | Fabritio Caroso, Domenico Cerasani, Massimo Lonardi | C Major | 1 | 8B | 179 BPM | ||
A Solfing Song | Thomas Tallis, The Rose Consort Of Viols | E Major | 0 | 12B | 96 BPM | ||
Fantasia 16 | Francesco da Milano, Shirley Rumsey | D Major | 0 | 10B | 161 BPM | ||
Danserye: Basse danse: No. 1. Dont vient cela – Reprise – Dont vient cela | László Czidra, Tylman Susato, Camerata Hungarica | D Minor | 1 | 7A | 101 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Sellenger's round | anon arr Alan Crumpler, Trinity Baroque, The Forbury Consort, The Holbein Consort, Alan Crumpler, Martin Pope, Steven Player, Julian Podger | A Minor | 0 | 8A | 129 BPM |
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