Giovanni Battista Riccio, Jiří Stivín, Václav Uhlíř made "Canzona. La Rubina" available on January 1, 1997. The duration of Canzona. La Rubina is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Canzona. La Rubina's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jiří Stivín, Václav Uhlíř's "My Youth Is Over. Recorders in 17th Century Music" album is number 6 out of 24. Canzona. La Rubina is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Canzona. La Rubina by Giovanni Battista Riccio, Jiří Stivín, Václav Uhlíř to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzon la savoldi | Giovanni Battista Riccio, Instrumenta Musica | A Minor | 0 | 8A | 72 BPM | ||
Sonate concertate in stil moderno à 2 e 3 voci, Libro primo: Sonata seconda (Arr. Recorder & Lute) | Dario Castello, Lucie Horsch, Thomas Dunford | D♭ Minor | 1 | 12A | 67 BPM | ||
La Spagna: La spagna | Francesco da Milano, Christopher Wilson, Shirley Rumsey | G Minor | 2 | 6A | 102 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Vespro della Beata Vergine, SV 206: VI. Laetatus sum | Claudio Monteverdi, Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | G Minor | 1 | 6A | 79 BPM | ||
Widerstehe doch der Sünde, BWV 54: I. Aria. Wiederstehe doch der Sunde… | Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E Major | 1 | 12B | 130 BPM | ||
Concerto in G Major, TWV 40.210 (Arr. for Recorder Quartet by Andrea Bornstein): Vivace | Georg Philipp Telemann, Woodpeckers Recorder Quartet | E Major | 0 | 12B | 114 BPM | ||
Quatuor No. 2 in A Minor: III. Légérement | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | A♭ Minor | 3 | 1A | 68 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Sonata in tremulo | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM |
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